Authenticity ~ Quality ~ Value ~ Lifelong ~ Expertise ~ Sterling ~ Integrity ~ Accuracy
NOTICE:
The tube prices in this catalog CANNOT be compared to others!! Each tube
sold by
V.T.S. has been LABORIOUSLY auditioned, scrutinized, and matched by Andy Bowman
in the
V.T.S. Analog Laboratory using National Institute of Standards registered gear.
(See the Testing Laboratory, and Six
Things, etc...)
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Misc. Small
Signal Tubes |
[NOTE:
Because of the depth of the inventory, this is a partial
stock list. Please call for current pricing and availability. Tubes
are added regularly and the inventory changes so please call/email
us if you have a specific need.] |
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Type |
Manufacturer |
Date |
Microphonics |
Quantity |
$ Each |
Description |
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EF-86 |
Amperex |
1950’s |
Moving-Mag. |
7 |
Call |
Great audio pentode still at reasonable |
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Super-Line |
12 |
Call |
prices. Amperex seems to have made |
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most of these and they made a great |
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one. There are four types made in the |
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50’s & 60's alone. |
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EF-86 |
Amperex |
1960’s |
Moving-Mag. |
5 |
Call |
Second series still the greats. |
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Super-Line |
8 |
Call |
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EF-86 |
Siemens |
1950’s- |
Call |
Call |
Call |
Siemens made a very nice version of |
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60’s |
Call |
Call |
Call |
this tube. Unfortunately 95% of what |
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is distributed is the oversize bulb, |
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pointy pin shit that is from the later 70s |
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& 80s |
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6GK5 |
Mullard |
1960’s |
MM |
12 |
46.00 |
The finest available example of this |
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SL |
18 |
36.00 |
tube in fact the only other is the RCA |
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(below) These tubes were a very late |
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frame grid unit (this tube is very similar |
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to half a 6DJ8) that are troublesome to |
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make. Even "new out of the box" RCA |
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or Mullard these tubes are all over the |
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place and in every way, Mic. and specs! |
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I reject 75% of them at least. This is the |
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reason for high price. |
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6GK5 |
RCA |
1960’s |
MM |
6 |
38.00 |
See above. A bit more neutral sound. |
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SL |
11 |
32.00 |
Light years ahead of GE junk! |
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6CG7
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RCA
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1950's
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MM
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6
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56.00
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Type-1 with black plates. |
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SL
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8
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48.00
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This tube is so good because | |||
| of the great effort put forth by RCA | ||||||
| to have a stable horizontal oscillator / | ||||||
| deflector so important to the success of | ||||||
| television. This is the tube that did it. | ||||||
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6CG7
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RCA
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1960's
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MM
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16
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46.00
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Type-2 the classic side getter version, |
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SL
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28
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42.00
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monikered the "clear top" and made far | |||
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5687 |
RCA |
1960’s |
Call |
Call |
Call |
A recent addition to the family of line |
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stage and power amp driver tubes |
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used by home builders and small, |
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nearly home built products. A good |
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choice too, it's nice to see these guys |
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are using a tube with some transfer area! |
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Rusty plates. |
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5687 |
Tung-Sol |
1950’s |
MC |
2 |
44.00 |
Same as above. The 5687 was a general |
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MM |
8 |
36.00 |
purpose tube for RF power amps, |
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SL |
7 |
32.00 |
cathode follower, and pulsed oscillator |
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use. Heavily used in commercial |
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electronics since the 50's. |
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5687 |
Sylvania |
1960’s |
Call |
Call |
32.00 |
Sylvania’s version of the 5687. A good |
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serviceable unit. |
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6350 |
RCA |
1960’s |
Call |
Call |
34.00 - |
Very tough to locate! The orig. from |
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7044 |
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44.00 |
the orig. and then tested on |
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Etc… |
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the orig. (RCA WT100-A) I have these |
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in Federal & RCA. Computer tubes. |
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6U8 |
RCA |
Call |
Call |
Call |
38.00 |
Again the orig. from the orig. and then |
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tested on the orig. RCA WT100-A and |
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you sure as HELL need to test these on |
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a WT100-A as only about one in 3 is |
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any damn good. Both the pentode & |
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Triode sections had grids so close to |
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Cathode etc… that could not really be |
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made well in the real world. (I.E.) |
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Even crisp new in the box from the |
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best production days were all over the |
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place measurements & performance |
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wise. |
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6U8 |
Mullard |
1960’s |
Call |
Call |
48.00 |
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GT Britain |
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6U8 |
Amprex |
1960’s |
Call |
Call |
48.00 |
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Hall |
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6U8 |
Telefunken |
1960’s |
Call |
Call |
60.00 |
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Germany |
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6GH8-A |
RCA |
1960’s |
Tested low |
Call |
Call |
Another late model, hi tech pentode- |
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Reject |
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triode combo. I recently tested a batch |
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Rate of |
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of 16 of these for a guy. Sourced from |
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70% |
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A.E.S. and didn’t find a single one that |
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even reached minimum specs only 4 |
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were actually RCA (the other 12 were |
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GE junk & yucky Sylvania late stuff |
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branded RCA) Obviously, rejected |
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junk from 25 other people. |
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6AN8-A |
RCA |
1960’s |
Tested low |
Call |
Call |
Similar tube as above but not as high a |
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&70’s |
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reject rate. |
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7199 |
RCA |
1960’s |
Tested |
Call |
Call |
Similar story to above, if you want to |
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6BL8 |
& |
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roll the dice with a guy who has a |
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6EA8 |
Telefunken |
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service tester and no idea what the hell |
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Etc… |
Etc… |
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he is doing, have fun But don’t expect |
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good consistent results from your |
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equipment! |
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12AY7 |
RCA |
1950’s |
MM |
9 |
52.00 |
A low hum, low mic. tube similar to |
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1960’s |
MC |
10 |
42.00 |
12AX7 for high gain audio amps. Here |
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SL |
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is one tube with "low mic" built in that |
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L |
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actually lives up to the claims made by |
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the sales dept. There was an incredible |
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"inter-departmental" consistency at |
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RCA. What the sales dept. claimed it |
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could do the engineering and all other |
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departments did period. |
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12AY7 |
Ken-Rad |
1950’s |
MM |
3 |
32.00 |
Only ones I have ever seen. |
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Bar type plates. |
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12AZ7 |
RCA |
1950’s |
MM |
5 |
46.00 |
Very hard to get quality stock. |
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1960’s |
S-L |
8 |
40.00 |
A mini type developed & used for |
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Line |
4 |
34.00 |
direct coupled cathode driver circuits |
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in audio amps. (Recently used in the |
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MAC reissue components.) |
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12AZ7 |
Tung-Sol |
1950’s |
MM |
6 |
32.00 |
Tung-Sol made a good mini, second |
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1960’s |
4 |
22.00 |
only to RCA. |
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| 12BH7 | RCA | 1950’s | MM | &n |